Dreyer’s “Gertrud,” like the various installments of “The Bachelor” franchise, found much of its drama simply from characters sitting on elegant sofas and talking about their relationships. “Flowers of Shanghai” achieves a similar result: it’s a film about intercourse work that features no sexual intercourse.
“Eyes Wide Shut” might not appear to be as epochal or predictive as some with the other films on this list, but no other ’90s movie — not “Safe,” “The Truman Show,” or even “The Matrix” — left us with a more exact perception of what it would feel like to live within the twenty first century. Within a word: “Fuck.” —DE
Babbit delivers the best of both worlds with a real and touching romance that blossoms amidst her wildly entertaining satire. While Megan and Graham are definitely the central love story, the ensemble of attempt-hard nerds, queercore punks, and mama’s boys offers a little something for everyone.
Published with an intoxicating candor for sorrow and humor, from the moment it begins to its heart-rending resolution, “All About My Mother” could be the movie that cemented its director being an international power, and it remains one of many most affecting things he’s ever made. —CA
Within the audio commentary that Terence Davies recorded for the Criterion Collection release of “The Long Day Closes,” the self-lacerating filmmaker laments his signature loneliness with a devastatingly casual feeling of disregard: “To be a repressed homosexual, I’ve always been waiting for my love to come.
A married guy falling in love with another gentleman was considered scandalous and potentially career-decimating movie fare inside the early ’80s. This unconventional (with the time) love triangle featuring Charlie’s Angels
It’s no accident that “Porco Rosso” is ready at the peak with the interwar period of time, the film’s hyper-fluid animation and general air of frivolity shadowed through the looming specter of fascism along with a deep sense of future nostalgia for all that would be forfeited to it. But there’s also such a rich vein of enjoyment to it — this is often a movie that feels as breezy and ecstatic as flying a Ghibli plane through a clear summer afternoon (or at least as ecstatic as it makes that seem).
Played by Rosario Bléfari, Silvia feels like a ’90s incarnation of aimless 20-something women like Frances Ha or Julie from korean porn “The Worst Individual from the World,” tinged with Rejtman’s typical xvidio brand of dry humor. When our heroine learns that another woman shares her name, porn videos it prompts an id crisis of types, prompting her to curl her hair, don fake nails, and wear a fur coat to the meeting arranged between the two.
No supernatural being or predator enters a single frame of this visually cost-effective affair, though the committed turns of its stars as they descend into madness, along with the piercing sounds of horrific events that we’re compelled to assume in lieu of seeing them for ourselves, are still more than enough to instill a visceral concern.
The film ends with a haunting repetition of names, all former lovers and friends of Jarman’s who died of AIDS. This haunting elegy is meditation on illness, silence, and the void will be the closest film has ever come to representing Loss of life. —JD
“Earth” uniquely examines the break up between India and Pakistan through the eyes of a toddler who witnessed the outdated India’s multiculturalism firsthand. Mehta writes and directs with deft control, distilling the films darker themes and intricate dynamics without a heavy hand (outstanding performances from Das, Khan, and Khanna all add to the unforced poignancy).
Studio fuckery has only grown more irritating with the vertical integration with the streaming period (just check with Batgirl), but the ‘90s sometimes feels like rymjob tara holiday tossing a salad rimjob Hollywood’s last true golden age of hands-on interference; it was the last time that a Disney subsidiary might greenlight an ultra-violent Western horror-comedy about U.
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As girlsrimming sloppy rimjob scene by maya farrell handsome and charming as George Clooney is, it’s hard to imagine he would have been the star he is today if Soderbergh hadn’t unlocked the full depth of his persona with this role.